The table with mosaic tabletop was made within the period between the 18th and early 19th centuries. The base of the table was made in a workshop in France, and the top with a Florentine mosaic was made by masters from Italy.

An unknown Italian author cut the mosaic of valuable species of stones. He processed each piece of marble, malachite, azure and fluorite so that no joints or height changes were noticeable after the fitting. The master made the dark background for the bird of a secret compound - bakelite filling. For a long time its ingredients were known only to Florentines. Now researchers know that the filling is made of amber and soot. The master would apply the mixture while it was liquid. When it froze, it became as solid as a stone. The finished filling is similar to marble in terms of glitter, as well to the touch.

It is difficult to say how much time it took to the artist to complete the work. But it is known that making of one square meter of such a mosaic could take many months, if not a year of labor. Masters mosaicists took into account the color of the stone, the frequency of layers, inclusions, coloured spots in the material. At that, inclusions were not considered a flaw - they were valued as a pictorial feature. The cracks had to be embedded into the picture. Russian masters called this to give strength to the stone that is, to allow every speck to prove itself in the overall composition. Masters would develop the volumes and tonal transitions, showed shadows on objects.

The table with Florentine mosaics was the first exhibit in the collection of the Yaroslavl Museum of Fine Arts. It used to belong to Count Vasily Kochubey. In the description of furniture dated January 1893 conducted by the Kochubey family it was stated that previously the object had been owned by A. Demidov, Prince of San Donato.