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Fragment of a wooden cross

Creation period
The turn of the 17th -18th centuries
4
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#1
Unknown Author
Fragment of a wooden cross of the Peter the Great era
#2
In the picture there is a fragment of an ancient wooden cross. It has a detailed drawing on it: a post standing on a hill, twined with thorn runner, with a rooster sitting on top of it. A sword, a glove, a hay bundle and a whip are tied to the post with the runner. There is also a cartouch drawn over the top of the post - a decorative shield with a text framed with quirks. 

The cross, of which this fragment was a part, belonged to the Kuznetsk Church of the Transfiguration (today - the Cathedral of the Transfiguration of the Saviour). In 1929, local artist and ethnographer Konkordy Yevreinov wrote down from the words of the head of the church that the eight-pointed cross was given to Kuznetsk for its centenary in 1717 by Peter I himself. That is partially confirmed by the inscription on the surviving fragment:
#3
‘Лета от Рождества Христова 1717-го году июня в день 20 во дни благохранимая державы Великого Государя Царя и Великого князя Петра Алексеевича, всея Великая и Малыя и Белыя России и многих государств и земель обладателя и самодержца в его пресветлой державе во Стране Сибирстей во святом град в Кузнецком благоволиша на сем месте водрузити крест и над ним устроити молитвенный храм, вославу и во(ле)ю Ра(сп)еншаго Господа Бога нашего Иисуса Христа и впредь ради ведения будущим родам а сие при бытности полковника и коментанта Бориса Акимовича Синявина и все сие (…) храма и водружение честнаго креста соверш(ишася) благотцимивейшим его и градских жителей промыслом тщанием (…) лет от воплощения Бога слова 1717 году (лет от сотворения) всего мира 7(225) написася сей крест изуграфом И. Яковом Лосевым’ (‘On the 20th day of June of the summer of the year of our Lord 1717, in the days of the noble powers of the Grand Prince Tsar and Grand Duke Pyotr Alexeyevich, of the Whole Great and Small and White Russia and the owner and sovereign of many states and lands in his illustrious power in the Country of Siberia in the holy city of Kuznetsk it was deigned to erect a cross in this place, and raise a temple over it, to the glory and at the willing of our Crucified Lord, Jesus Christ, to be run by future generations, and that during the time of Colonel Boris Akimovich Sinyavin as a superintendent, and all this (…) of the temple and the erection of an honest cross committed by the most benevolent offices of him and the people of the town (…) year 1717 from the incarnation of the Word (years from the creation) of the entire world 7(225) this cross was painted by icon painter I. Yakov Losev’).
#4
There is a theory that the first Emperor of Russia made this cross himself. Many Kuznetsk old-timers who saw the relic unbroken claimed that it was signed by the tsar – Per I. In precisely this way, with letter t taken off the line, Peter the Great wrote his own name. 

When in 1935 the Cathedral of the Transfiguration of the Saviour was closed, the district council sent wooden elements of its decoration, including the cross, to the city schools. They were supposed to be used as work material in arts and crafts classes. The ancient cross was taken apart and the upper part of it was taken to school No. 21, and the lower part with the pedestal was taken to school No. 10. Konkordy Yevreinov found and examined the lower part of the relic, cut down its fragment carefully and handed it over to the Kuznetsk Ethnography Museum. 

Other parts of the cross have been lost. Its full description is preserved in one of the issues of Sibirsky Vestnik newspaper of 1894. According to the publication, the face of the cross depicted Jesus Christ and two angels holding the crown over his head. On the right hand of the Savior was the Mother of God, and on the left hand was St. John the Evangelist. The patibulum of the cross was decorated with the images of the saints: Boris, Nikita, George, Dmitry, John and Gleb. On the back of the relic one could see the Acheiropaeic Image of Christ, below – the image of Nicholas the Wonderworker, depicted in full height. And the fragment presented in the exposition was at the very bottom of the back of the cross.
#5
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Fragment of a wooden cross

Creation period
The turn of the 17th -18th centuries
4
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«Циничные карты» культурный шок в бесплатной онлайн игре!
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